シラバス参照

開講年度(Academic Year) 2021 
科目コード/科目名
(Course Code / Course Title)
DM426/Transcultural Cinema 
テーマ/サブタイトル等
(Theme / Subtitle)
From An East Asian Perspective 
担当者 (Instructor) イ,ヒャンジン(LEE,HYANGJIN) 
時間割 (Class Schedule) 春学期 (Spring Semester) 水曜日(Wed) 3時限(Period 3) 8501(Room)
単位 (Credit) 2単位(2 Credits) 
科目ナンバリング
(Course Number)
ICC3471 
使用言語
(Language)
英語
(English) 
備考 (Notes)  
テキスト用コード (Text Code) DM426 



授業の
目標
Course
Objectives
This seminar course will explore the theoretical and cultural perspectives on global cinemas, by surveying some of most representative works from an East Asian Perspective. The course aims to lead students to a better understanding of the contemporary film practices transcending the limitations of culture, and the increasing permeability of cultural borders between people or institutions. 
 
授業の
内容
Course
Contents
Informed by the theoretical readings from film studies, we will discuss the cinematic transculturalism which is narrated by an increasing number of directors across national, regional, religious or other institutional cultures. In doing so, we will scrutinize the ways in which the national and other institutional identity which has been constructed to marginalize and exclude cultural identity of various social minorities. 
 
授業計画
Course
Schedule
1. Course Outline 
2. How to Read a Film: East Asian Film Noir 
3. Aesthetics: Tokyo Story (Yasuiiro Ozu, 1950)  
4. Aesthetics: Housemaid (Kim Ki-young, 1960)  
5. Structure: Farewell My Concubine (Chen Kaige, 1993) 
6. Structure: Chungking Express (Wong Kar-wai, 1995) 
7. Guest Speaker  
8. Film Authorship: Parasite (Bong Joon-ho, 2019) 
9. Film Authorship: Spirited Away (Hayao Miyazaki, 2001) 
10. Film Genre; Unforgiven (Lee Sang Il, 2013) and Rage (Lee Sang Il, 2010) 
11. Film Genre; All Under the Moon (Yoichi Sai,1993) 
12. Documentary Film; The Emperor's Naked Army March On (Kazuo Hara, 1987) 
13. Documentary Film; 63 Years On (Kim Dong Won, 2008) 
14. Paper Sharing and Wrap Up  
授業時間外
(予習・復習
等)の学習
Study
Required
Outside
of Class
To be announced in class. 
成績評価
方法・基準
Evaluation
種類(Kind) 割合(%) 基準(Criteria)
平常点(In-class Points) 100  %
プレゼンテーションと課題 (30%) 、中間レポート(30%) 、最終レポート(Final Report)(40%)
テキスト
Textbooks
No 著者名
(Author/Editor)
書籍名
(Title)
出版社
(Publisher)
出版年
(Date)
ISBN/ISSN
1. Warren Buckland  Film Studies: An Introduction (Teach Yourself)   Teach Yourself  2016  978-1473608795 
その他(Others)
参考文献
Readings
No 著者名
(Author/Editor)
書籍名
(Title)
出版社
(Publisher)
出版年
(Date)
ISBN/ISSN
1. Elizabeth Ezra and Terry Rowden  Transnational Cinema The Film Reader   Routledge  2006  13:9-78-0-415-37158-2 
2. C Richard King, Carmen R Lugo-Lugo and Mary K, Bloodsworth-Lugo  Animating Difference: Race, Gender and Sexuality in Contemporary Films for Children   Rowman & Littlefield Publishers, Inc.   2010  978-0-7425-6082-6 
3. Hyangjin Lee  Contemporary Korean Cinema: Identity・Culture・Politics   Manchester University Press  2000  978-0-7190-6008-3 
4. イ・ヒャンジン  『コリアン・シネマ:北朝鮮・韓国・トランスナショナル』   みすず書房  2018  9784622086642 
5. Natasa Durovicova and Kathleen Newman  World Cinemas, Transnational Perspectives   Routledge  2010  10:0-415-97654-5 
その他(Others)
その他
(HP等)
Others
(e.g. HP)
注意事項
Notice
It is recommended that the student’s English level is at or above
TOEFL iBT 76,IELTS 6.0, TOEIC 700 , or TOEIC IP 700. 


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