シラバス参照

開講年度(Academic Year) 2021 
科目コード/科目名
(Course Code / Course Title)
Japan in Asia 1
(Japanese Relations in Asia 1) 
テーマ/サブタイトル等
(Theme / Subtitle)
Japanese and Korean Cinema 
担当者 (Instructor) イ,ヒャンジン(LEE,HYANGJIN) 
時間割 (Class Schedule) 春学期 (Spring Semester) 火曜日(Tue) 3時限(Period 3) オンライン
単位 (Credit) 2単位(2 Credits) 
科目ナンバリング
(Course Number)
CMP2231 
使用言語
(Language)
英語
(English) 
備考 (Notes) ・F科目
・定員15名
・他に特別外国人学生が履修
・この授業は、英語圏での大学の授業を想定し、全て英語で行う
・TOEIC®700点相当以上の英語力を有していることを前提に授業を実施する 
テキスト用コード (Text Code) FB515 



授業の
目標
Course
Objectives
The objective of this course is to offer an introduction and overview of Japanese and Korean cinemas from a trans-cultural perspective of Asia. The primary focus is on the way that film generates and articulates the notions of national/transnational identity and multiculturalism in Japan. By examining selected films’ views and criticisms on historical experiences, cultural traditions, structural changes and globalization, we can deepen our understanding of the social interrelations of power and inequality among gender, sexuality, class, race and ethnicity within and across the two societies from regional and global contexts. 
 
授業の
内容
Course
Contents
A number of most representative films dealing with memories of war, traditional values and family life, and immigrants in Japan and Korea will be chosen and discussed. For the critical comprehension of history and context, Korean/Japanese films dealing with the Japanese/Korean themes will be also assigned to be reviewed. 
 
授業計画
Course
Schedule
1. Introduction: Course Guidance, Key Issues and Themes 
2. An Overview of Japanese Film History: 100 years of Japanese Cinema (Oshima Nagisa, 1995)  
3. An Overview of Korean Film History: Ari Ari the Korean Cinema (Heo Chul, 2011)  
4. Tradition and Aesthetic Norms in Rashomon (Kurosawa Akira, 1950) 
5. Social Realism: The Stray Bullet (Yu Hyun-mok, 1961) and Burning (Lee Changdong, 2018)  
6. Horror: Audition (Miike Takeshi, 2000) 
7. Paper Sharing 
8. War Films: Black Rain (Imamura Shohei, 1989)  
9. War Films: JSA (Park Chanwook 2000) and The Front Line (Jang Hoon, 2011) 
10. Action Thriller: Sonatine (Kitano Takeshi, 1993)  
11. Cosmetic Multiculturalism in Swallowtail Butterfly (Iwai Shunji, 1996) 
12. Political Satire: The Host (Bong Jun-ho, 2006) 
13. Consumption of the Evil in Hollywood Film: Die Another Day (Lee Tamahori, 2002) 
14. Evaluation 
授業時間外
(予習・復習
等)の学習
Study
Required
Outside
of Class
This class will use the seminar approach. It will require students to critically analyze films and prepare their discussions in advance. Students are also required to thoroughly read one or two academic articles every week before attending class. Viewing and reading all assigned materials rigorously and taking notes on them every week is essential to successfully completing this course. 
成績評価
方法・基準
Evaluation
種類(Kind) 割合(%) 基準(Criteria)
平常点(In-class Points) 100  %
Presentation and Class Assignments(30%) 、Term Paper(40%) 、Final Test (Take Home)(30%)
テキスト
Textbooks
なし
参考文献
Readings
その他
(HP等)
Others
(e.g. HP)
注意事項
Notice
 


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