日本語

Course Code etc
Academic Year 2026
College College of Arts
Course Code AM108
Theme・Subtitle Mayhem, Madness, and the Mind of the American Antihero (2):
John Kennedy Toole’s A Confederacy of Dunces
Class Format Face to face (all classes are face-to-face)
Class Format (Supplementary Items)
Campus Seminar
Campus Ikebukuro
Semester Fall semester
DayPeriod・Room Fri.4
ログインして教室を表示する(Log in to view the classrooms.)
Credits 2
Course Number EAL3813
Language Others
Class Registration Method "Other" Registration
Assigned Year 配当年次は開講学部のR Guideに掲載している科目表で確認してください。
Prerequisite Regulations
Acceptance of Other Colleges 履修登録システムの『他学部・他研究科履修不許可科目一覧』で確認してください。
Course Cancellation ×(履修中止不可/ Not eligible for cancellation)
Online Classes Subject to 60-Credit Upper Limit
Relationship with Degree Policy 各授業科目は、学部・研究科の定める学位授与方針(DP)や教育課程編成の方針(CP)に基づき、カリキュラム上に配置されています。詳細はカリキュラム・マップで確認することができます。
https://www.rikkyo.ac.jp/about/disclosure/educational_policy/arts.html
Notes

【Course Objectives】

By the end of this course, students will be able to:
1.Analyze satire as a mode of cultural and philosophical critique.
2.Examine the American antihero as a response to modernity, capitalism, and mass culture.
3.Perform close readings of narrative voice, irony, and comic excess.
4.Situate Toole’s novel within Southern, postwar, and countercultural traditions.
5.Articulate how madness operates socially, not just clinically, in American literature.

【Course Contents】

Part two of this course turns from the institutional confinement in One Flew Over the Cuckoo’s Nest to social, economic, and cultural chaos in John Kennedy Toole’s A Confederacy of Dunces (1980). Through sustained close reading, students will examine Ignatius J. Reilly as a grotesque American antihero whose intellectual pretensions, reactionary politics, and bodily obsessions expose contradictions in modern American life. The course situates the novel within traditions of satire, Menippean comedy, and Southern literature, while also considering madness, failure, and resistance outside of formal institutions.

Japanese Items

【授業計画 / Course Schedule】

1 Week 1 – From Institution to City: Enter the Antihero
Reading:
Ch.1 (pg. 1-24)
Guided reading.
Introduces Ignatius J. Reilly and frames New Orleans as a chaotic, theatrical social space rather than a controlled institution.
2 Week 2 – Ignatius J. Reilly: Body, Mind, and Excess
Reading:
Ch.2 (pg. 25-50)
Examines Ignatius’s grotesque body, digestive obsessions, and medieval worldview as comic and philosophical devices.
3 Week 3 – Satire and Menippean Tradition
Reading:
Ch. 3 (pg. 51-70)
Situates the novel within the Menippean satirical tradition, blending high intellectualism with low comedy.
4 Week 4 – Mother, Son, and American Infantilism
Reading:
Chapters 4 and 5 (pg. 71-111)
Analyzes family dynamics, dependency, and generational conflict as forms of psychological and cultural stagnation.
5 Week 5 – Work, Capitalism, and Refusal
Reading:
Ch. 6 (pg. 112-131)
Explores Ignatius’s sabotage of labor, bureaucracy, and productivity as parody of American work culture.
6 Week 6 – Sexuality, Morality, and Hypocrisy
Reading:
Ch. 7 (pg. 132-158)
Interrogates sexual repression, moral panic, and performative virtue in mid-century America.
7 Week 7 – Women, Power, and Counter-Narratives
Reading:
Chapters 8 and 9 (pg. 159-201)
Examines Myrna as ideological foil, feminist counterpoint, and destabilizing voice within the novel.
8 Week 8 – Race, Class, and Social Satire
Reading:
Ch. 10 (pg. 202-223)
Analyzes the novel’s treatment of race, exploitation, and social invisibility through satirical exaggeration.
9 Week 9 – Madness Without Walls
Reading:
Ch. 11 (pg. 224-259)
Compares Ignatius’s “madness” to institutional insanity in Kesey, emphasizing freedom, chaos, and social dysfunction.
10 Week 10 – Failure, Rebellion, and the Comic Hero
Reading:
Ch. 12 (pg. 260-287)
Considers failure as resistance and the antihero as a figure who refuses redemption or reform.
11 Week 11 – Narrative Resolution and Satirical Ethics
Reading:
Ch. 13 (pg. 288-323)
Interrogates whether the novel offers closure, escape, or merely continued absurdity.
12 Week 12 – Legacy, Cult Status, and the American Comic Tradition
Reading:
Ch 14. (pg. 324-338)
Selected critical essays.
Situates A Confederacy of Dunces within American comic literature and its enduring cultural appeal.
13 Final Presentations (Week 1)
14 Final Presentations (Week 2)

【活用される授業方法 / Teaching Methods Used】

板書 /Writing on the Board
スライド(パワーポイント等)の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above

【授業時間外(予習・復習等)の学修 / Study Required Outside of Class】

Each session will involve a lecture component, brief student presentations, and a close reading of the chapters assigned for the week.

Students should be prepared to analyze each of the readings from a number of perspectives.

Also, students will be expected to have read the assigned text(s) prior to each session.

【成績評価方法・基準 / Evaluation】

種類 (Kind)割合 (%)基準 (Criteria)
平常点 (In-class Points)100 Oral Presentation(30%)
Assignments(30%)
最終レポート(Final Report)(40%)
備考 (Notes)

【テキスト / Textbooks】

No著者名 (Author/Editor)書籍名 (Title)出版社 (Publisher)出版年 (Date)ISBN/ISSN
1 John Kennedy Toole A Confederacy of Dunces Penguin 2000 9780141182865

【参考文献 / Readings】

【履修にあたって求められる能力 / Abilities Required to Take the Course】

【学生が準備すべき機器等 / Equipment, etc., that Students Should Prepare】

【その他 / Others】

【注意事項 / Notice】