日本語 English
| 開講年度/ Academic YearAcademic Year |
20262026 |
| 科目設置学部/ CollegeCollege |
文学部/College of ArtsCollege of Arts |
| 科目コード等/ Course CodeCourse Code |
AM115/AM115AM115 |
| テーマ・サブタイトル等/ Theme・SubtitleTheme・Subtitle |
アメリカ女性詩人の系譜──Anne BradstreetからE. Pauline Johnsonまで |
| 授業形態/ Class FormatClass Format |
対面(全回対面)/Face to face (all classes are face-to-face)Face to face (all classes are face-to-face) |
| 授業形態(補足事項)/ Class Format (Supplementary Items)Class Format (Supplementary Items) |
|
| 授業形式/ Class StyleCampus |
演習・ゼミ/SeminarSeminar |
| 校地/ CampusCampus |
池袋/IkebukuroIkebukuro |
| 学期/ SemesterSemester |
春学期/Spring SemesterSpring Semester |
| 曜日時限・教室/ DayPeriod・RoomDayPeriod・Room |
木4/Thu.4 Thu.4 ログインして教室を表示する(Log in to view the classrooms.) |
| 単位/ CreditsCredits |
22 |
| 科目ナンバリング/ Course NumberCourse Number |
EAL3813 |
| 使用言語/ LanguageLanguage |
その他/OthersOthers |
| 履修登録方法/ Class Registration MethodClass Registration Method |
その他登録/"Other" Registration"Other" Registration |
| 配当年次/ Assigned YearAssigned Year |
配当年次は開講学部のR Guideに掲載している科目表で確認してください。配当年次は開講学部のR Guideに掲載している科目表で確認してください。 |
| 先修規定/ Prerequisite RegulationsPrerequisite Regulations |
|
| 他学部履修可否/ Acceptance of Other CollegesAcceptance of Other Colleges |
履修登録システムの『他学部・他研究科履修不許可科目一覧』で確認してください。 |
| 履修中止可否/ Course CancellationCourse Cancellation |
×(履修中止不可/ Not eligible for cancellation) |
| オンライン授業60単位制限対象科目/ Online Classes Subject to 60-Credit Upper LimitOnline Classes Subject to 60-Credit Upper Limit |
|
| 学位授与方針との関連/ Relationship with Degree PolicyRelationship with Degree Policy |
各授業科目は、学部・研究科の定める学位授与方針(DP)や教育課程編成の方針(CP)に基づき、カリキュラム上に配置されています。詳細はカリキュラム・マップで確認することができます。 https://www.rikkyo.ac.jp/about/disclosure/educational_policy/arts.html |
| 備考/ NotesNotes |
Contrary to our 21st-century assumptions, American women poets through the end of the 19th century were widely acclaimed and held in high esteem. However, during the first half of the 20th century, many were marginalized and relegated to the sidelines, as their work was not considered representative of the then-emerging academic discipline of “American Literature.” It was not until the latter half of the 20th century, spurred by a broader movement to recover women’s history, that their contributions began to be re-evaluated.
In this seminar, we will trace the lineage of American women poets from Anne Bradstreet to E. Pauline Johnson. By engaging with and enjoying their poetic worlds, students will aim to integrate the knowledge and methodologies of British and American literature as outlined in the Curriculum Map, ultimately achieving an advanced level of discussion, presentation, and academic writing.
Just as the women of the Heian dynasty used kana characters to give voice to the “self” within their waka poetry and narratives, American women poets sought to establish a sense of “self” within their poetry. Tracing the lineage from Anne Bradstreet to E. Pauline Johnson, we find that theirs was not an outward-reaching voice like that of Walt Whitman; rather, it was a voice that sought to drive the roots of a firm “self” deep into the earth, often articulating the precarious circumstances in which they found themselves. In this seminar, we will not only explore these themes but also closely examine and savor the specific language they employed to express their thoughts and emotions.
Furthermore, we will frequently shed light on the American culture and society that surrounded these poets. True understanding of literature is unattainable without a corresponding understanding of its cultural and social contexts.
The seminar will proceed with designated presenters leading the discussion based on prepared handouts. However, those not presenting are also expected to engage proactively and appreciate the texts with a discerning eye.
| 1 | Introduction:アメリカ文学史における詩 |
| 2 | 英語詩の基本 |
| 3 | Anne Bradstreet, “Before the Birth of One of Her Children” and “The Author to Her Book |
| 4 | Lydia Sigourney, “Death of an Infant” and from “The Indian’s Welcome to the Pilgrim Fathers” |
| 5 | Frances Sargent Osgood, “Won’t you die & be a spirit” and “The Lady’s Mistake” |
| 6 | Alice Cary, “The Bridal Veil” and “The Seal Fisher’s Wife” |
| 7 | Frances E. W. Harper, “The Slave Auction” and from “Learning to Read” |
| 8 | Rose Terry (Cooke), from "Arachne” and “Truths” |
| 9 | Emily Dickinson, “This was a Poet” and “My Life had stood—a Loaded Gun” |
| 10 | Emily Dickinson, “I felt a Funeral, in my Brain” and “Because I could not stop for Death—” |
| 11 | Sarah Morgan Bryan Piatt, “A Hundred Years Ago” and “The Favorite Child” |
| 12 | Emma Lazarus, “The New Colossus” and from “In the Jewish Synagogue at Newport” |
| 13 | E. Pauline Johnson, “The City and the Sea” and "The Corn Husker" |
| 14 | Recapitulation |
板書 /Writing on the Board
スライド(パワーポイント等)の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
授業時間外の学修に関する指示は, 履修登録完了後に「Canvas LMS」上で履修者に対して行います。各回の予習・復習にはそれぞれ2時間程度を要します。
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
発表と応答(議論・貢献度など)(60%) 最終レポート(Final Report)(40%) |
| 備考 (Notes) | ||
| その他 (Others) | |||||
|---|---|---|---|---|---|
| プリントを配付します。 |
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Paula Bernat Bennett, ed. | Nineteenth-Century American Women Poets | Blackwell | 1998 | 9780631203995 |
| 2 | Putzi and Socarides, eds. | A History of Nineteenth-Century American Women's Poetry | Cambridge UP | 2016 | 9781107083981 |
21世紀に生きる私たちの予想とは異なり、19世紀末までのアメリカの女性詩人たちは、その活躍が広く評価されていました。一目置かれていたのです。けれども20世紀の前半になると、彼女たちの多くは目立たない裏方へ押しやられてしまいました。アメリカ文学という新しい学問を代表する文学とはみなされなかったからです。それが20世紀の後半になると、広い女性史発掘の気運に促されて再評価されるようになりました。
そこで本演習では、あらためてAnne BradstreetからE. Pauline Johnsonまで辿りながらアメリカの女性詩人の作品を読み進め、その作品世界を愉しむことによって、カリキュラム・マップに示された「英米文学の知識と方法論を総合」し、高度な「議論・発表・レポート作成」を実現することを目指します。
Contrary to our 21st-century assumptions, American women poets through the end of the 19th century were widely acclaimed and held in high esteem. However, during the first half of the 20th century, many were marginalized and relegated to the sidelines, as their work was not considered representative of the then-emerging academic discipline of “American Literature.” It was not until the latter half of the 20th century, spurred by a broader movement to recover women’s history, that their contributions began to be re-evaluated.
In this seminar, we will trace the lineage of American women poets from Anne Bradstreet to E. Pauline Johnson. By engaging with and enjoying their poetic worlds, students will aim to integrate the knowledge and methodologies of British and American literature as outlined in the Curriculum Map, ultimately achieving an advanced level of discussion, presentation, and academic writing.
平安朝の女性たちが仮名文字を使って和歌や物語の中に「私」をうたったように、アメリカの女性詩人たちは、詩の中に「自己」を確立しようとしていました。それはWalt Whitmanのような外へ向けた声ではありませんでしたが、堅固な「自己」の根を地におろそうとした声であって、自分が置かれた危うい状況をしばしばうたっていました。本演習では、それらのテーマを探るだけでなく、どのような言葉を使ってその思いや考えを表現していたのか、深く味わいながら細かく検討します。
なお詩人たちを取り巻いていたアメリカの文化や社会についてもしばしば光を当ててゆきます。文化や社会が理解できなければ、文学を理解したことにはなりません。
本演習は、あらかじめ定められた担当者がハンドアウトに基づいて発表することによって進められます。担当でない参加者もみずからすすんで翫味しなければなりません。
Just as the women of the Heian dynasty used kana characters to give voice to the “self” within their waka poetry and narratives, American women poets sought to establish a sense of “self” within their poetry. Tracing the lineage from Anne Bradstreet to E. Pauline Johnson, we find that theirs was not an outward-reaching voice like that of Walt Whitman; rather, it was a voice that sought to drive the roots of a firm “self” deep into the earth, often articulating the precarious circumstances in which they found themselves. In this seminar, we will not only explore these themes but also closely examine and savor the specific language they employed to express their thoughts and emotions.
Furthermore, we will frequently shed light on the American culture and society that surrounded these poets. True understanding of literature is unattainable without a corresponding understanding of its cultural and social contexts.
The seminar will proceed with designated presenters leading the discussion based on prepared handouts. However, those not presenting are also expected to engage proactively and appreciate the texts with a discerning eye.
| 1 | Introduction:アメリカ文学史における詩 |
| 2 | 英語詩の基本 |
| 3 | Anne Bradstreet, “Before the Birth of One of Her Children” and “The Author to Her Book |
| 4 | Lydia Sigourney, “Death of an Infant” and from “The Indian’s Welcome to the Pilgrim Fathers” |
| 5 | Frances Sargent Osgood, “Won’t you die & be a spirit” and “The Lady’s Mistake” |
| 6 | Alice Cary, “The Bridal Veil” and “The Seal Fisher’s Wife” |
| 7 | Frances E. W. Harper, “The Slave Auction” and from “Learning to Read” |
| 8 | Rose Terry (Cooke), from "Arachne” and “Truths” |
| 9 | Emily Dickinson, “This was a Poet” and “My Life had stood—a Loaded Gun” |
| 10 | Emily Dickinson, “I felt a Funeral, in my Brain” and “Because I could not stop for Death—” |
| 11 | Sarah Morgan Bryan Piatt, “A Hundred Years Ago” and “The Favorite Child” |
| 12 | Emma Lazarus, “The New Colossus” and from “In the Jewish Synagogue at Newport” |
| 13 | E. Pauline Johnson, “The City and the Sea” and "The Corn Husker" |
| 14 | Recapitulation |
板書 /Writing on the Board
スライド(パワーポイント等)の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
授業時間外の学修に関する指示は, 履修登録完了後に「Canvas LMS」上で履修者に対して行います。各回の予習・復習にはそれぞれ2時間程度を要します。
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
発表と応答(議論・貢献度など)(60%) 最終レポート(Final Report)(40%) |
| 備考 (Notes) | ||
| その他 (Others) | |||||
|---|---|---|---|---|---|
| プリントを配付します。 |
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Paula Bernat Bennett, ed. | Nineteenth-Century American Women Poets | Blackwell | 1998 | 9780631203995 |
| 2 | Putzi and Socarides, eds. | A History of Nineteenth-Century American Women's Poetry | Cambridge UP | 2016 | 9781107083981 |