日本語 English
開講年度/ Academic YearAcademic Year |
20252025 |
科目設置学部/ CollegeCollege |
文学部/College of ArtsCollege of Arts |
科目コード等/ Course CodeCourse Code |
AM208/AM208AM208 |
テーマ・サブタイトル等/ Theme・SubtitleTheme・Subtitle |
Prophecies II: W. B. Yeats |
授業形態/ Class FormatClass Format |
対面(全回対面)/Face to face (all classes are face-to-face)Face to face (all classes are face-to-face) |
授業形態(補足事項)/ Class Format (Supplementary Items)Class Format (Supplementary Items) |
|
授業形式/ Class StyleCampus |
演習・ゼミ/SeminarSeminar |
校地/ CampusCampus |
池袋/IkebukuroIkebukuro |
学期/ SemesterSemester |
秋学期/Fall semesterFall semester |
曜日時限・教室/ DayPeriod・RoomDayPeriod・Room |
火4/Tue.4 Tue.4 ログインして教室を表示する(Log in to view the classrooms.) |
単位/ CreditsCredits |
22 |
科目ナンバリング/ Course NumberCourse Number |
EAL3811 |
使用言語/ LanguageLanguage |
英語/EnglishEnglish |
履修登録方法/ Class Registration MethodClass Registration Method |
その他登録/"Other" Registration"Other" Registration |
配当年次/ Assigned YearAssigned Year |
配当年次は開講学部のR Guideに掲載している科目表で確認してください。配当年次は開講学部のR Guideに掲載している科目表で確認してください。 |
先修規定/ Prerequisite RegulationsPrerequisite Regulations |
|
他学部履修可否/ Acceptance of Other CollegesAcceptance of Other Colleges |
履修登録システムの『他学部・他研究科履修不許可科目一覧』で確認してください。 |
履修中止可否/ Course CancellationCourse Cancellation |
×(履修中止不可/ Not eligible for cancellation) |
オンライン授業60単位制限対象科目/ Online Classes Subject to 60-Credit Upper LimitOnline Classes Subject to 60-Credit Upper Limit |
|
学位授与方針との関連/ Relationship with Degree PolicyRelationship with Degree Policy |
各授業科目は、学部・研究科の定める学位授与方針(DP)や教育課程編成の方針(CP)に基づき、カリキュラム上に配置されています。詳細はカリキュラム・マップで確認することができます。 |
備考/ NotesNotes |
This English literature course aims to help students develop their English abilities in the four core skills of listening, reading, speaking, and writing through a combination of various texts, media and in-class activities, as well as some supplementary optional materials (paper and audio-visual), which students are encouraged to engage in, in order to deepen their understanding of this course and its writer, William Butler Yeats (W. B. Yeats), one of the greatest poets of the English language of the twentieth century. Students enrolled in this course will have the opportunity to enhance their abilities to analyze a text of literature through close reading of the original text, the provision of supplementary notes, as well as videos or audio materials as supplements to aid them in their reading and interpretation of the source texts from various perspectives. This approach has been taken with the hope that it will facilitate students’ overall understanding of late-nineteenth and early-twentieth century English and Irish literature.
To provide students with a better contextual background, some supplementary materials and information on W. B. Yeats, as well as some of the poets who lived both during and after his time will also be provided to help students better understand this important and vital period in English literature. In each semester for this “Prophecies” course (consisting of Part 1 and Part 2), three or four writers of a similar ilk will be introduced as a means of comparison against the writings of W. B. Yeats himself (the same form of comparison was conducted with William Blake’s work in the first semester), to help students deepen their understanding of certain aspects of the field which some have called ‘prophetic writings’. Although Blake and Yeats were not contemporaries, Yeats is one of many poets influenced by Blake and someone who took up and carried the torch of ‘Blakean tradition’ many years later. In Prophecies II, along with the writings and life of Yeats himself, we will also talk about some of the other well-known poets and writers of Yeats’ time such as Lady Gregory, John Synge, James Joyce, Ezra Pound, seers or mystics such as Madame Blavatsky, and some who came from a little before Yeats’ time but who exerted an influence such as Walter Pater or who were influenced by Yeats later on, including Seamus Heaney (the compiler of the textbook volume).
In terms of skills related to English ability and proficiency, students will have the opportunity to improve their English listening skills through the interpretations of the texts provided by their teacher in class, and listening to some recordings of Yeats reading from his own poems, many of which are now available online. This will be used not only as a listening-comprehension exercise, but also as a way for students to further deepen their understanding of Yeats’ literary aims, poetic style and philosophy, and to generate further discussion and commentary upon the existing body of criticism.
Group discussions will be held in regular classes on questions directly related to the texts and given to students beforehand to prepare. Students will also have the opportunity to make a presentation in class (towards the end of the course in Lessons 11 and 12) on one of the writers mentioned above (Lady Gregory, John Synge, James Joyce, Ezra Pound, T. S. Eliot, Madame Blavatsky, Walter Pater, Seamus Heaney, etc.), with the following goals in mind: 1) this exercise will help them improve their written proficiency (in preparing the presentation script); and 2) it will help them improve their spoken English proficiency when they give the presentation in class in front of their peers. Three written homework assignments will be assigned on supplementary materials provided in class. The main textbook used in class is called W. B. Yeats: Poems selected by Seamus Heaney, and it features a selection of Yeats’ poems extracted from his long career in which his poetic style changed frequently. Although we will conduct a brief survey of all of Yeats’ major works, the main focus will fall upon three of Yeats’ collections, The Wild Swans at Coole, The Tower, which is frequently cited as containing his greatest work, and The Winding Stairs and Other Poems. In keeping with the underlying theme of ‘prophecies’, we will also read sporadically from Yeats’ most famous prose work, A Vision (although students will not be expected to purchase a copy of this book). Assignment #1 will be about some faerie tales collected by Yeats and published in The Celtic Twilight. Assignment #2 will focus on Yeats’ famous play, At the Hawk’s Well, which was inspired by Japanese Noh plays. Assignment #3 will be held over two weeks towards the end of term, during which students will give a 3-4 minute presentation (on one of the writers mentioned above). Finally, Assignment #4 will be based on excerpts from Yeats’ A Vision, arguably his most ‘prophetic’ text. Supplementary materials will be provided either in class or on a Google Classroom website set up exclusively for students who register for this course, to help students prepare and complete ALL assignments. Some guidelines on how to complete these assignments will also be provided by the teacher, to help students improve their abilities in English written composition and expression.
Successful completion of this course should indicate an understanding of…
1. the historical background and contexts of Irish poetry and literature, with a focus on the works of W. B. Yeats;
2. the style, structure, aims, spiritual and mystical vision and various complexities found within Yeats’ writings (his poetry, prose and plays), with a particular focus on his poetry in class;
3. several ways of analyzing a text, through supplementary readings, slides and recordings provided in or outside of class.
4. a better background knowledge of Yeats’ life, times and ongoing legacy upon English letters as a whole (NOTE: some essays on Yeats by scholars will be provided to investigate Yeats’ writings from various angles)
This course also involves the development of the following skills…
1. the ability to interpret and discuss a text, based on its historical and cultural context and milieu;
2. the ability to inform an original text through the use of secondary sources;
3. the ability to interpret and understand the literary analysis of other critics and writers;
4. the ability to present an argument or summary of one’s opinion on a literary work both in writing (in the essay question on the final test) and orally (in the presentation task for Assignment #3).
This course, predominantly conducted in English, will offer enrolled students the opportunity to read and discuss W. B. Yeats’ poetry, plays and prose. We will be using the book, W. B. Yeats: Poems selected by Seamus Heaney, published by Faber & Faber, as the main textbook for this class because it contains a good, albeit somewhat brief, overview of Yeats’ career as a poet, of which the main focus of this course will primarily be on 3 major works by Yeats: his The Wild Swans at Coole, The Tower (arguably, his greatest work of poetry), and The Winding Stairs and Other Poems. Importantly, where possible, the teacher aims to address the relevance of certain themes in Yeats’ work from the perspectives of nineteenth-century Ireland, the world of the early twentieth century and today’s contemporary world. In keeping with the overall theme of this course (prophecies), we will discuss how Yeats’ philosophies (especially those contained within his prose work A Vision still apply to today’s world.
Most supplementary notes have been drawn from a few very helpful texts but three in particular have been used: The Collected Poems of W. B. Yeats, published by Macmillan & Co., Yeats: A Psychoanalytic Study by Brenda S. Webster and W. B. Yeats and Tradition by F. A. C. Wilson. Some online and video lectures on the life and work of W. B. Yeats will also be shared with students in order to supplement their knowledge of the Irish poet and playwright.
1 | Lesson 1 – W. B. Yeats, his Times, & Irish Literature In our first class for the course, Prophecies II: Yeats, we will begin by discussing the historical and social contexts of 19th century Ireland and early-twentieth century poetry, during which the great poet and playwright, W. B. Yeats, lived. We will also discuss briefly the lives and works of contemporary writers, poets and mystics who were Yeats’ contemporaries and/or who had a deep influence and lasting impact on his work as an artist, such as John Synge, Walter Pater, James Joyce, Ezra Pound, Lady Gregory and Madame Blavatsky. Although each of these figures is different in terms of their writing style and the tropes we encounter in their works, we will discuss in what particular ways Yeats knew each of them and was influenced by them. There will also be some brief discussion of the prophetic writings within the oeuvre of W. B. Yeats (following on from the discussion of the prophetic writings of William Blake in first semester), as this is the underlying theme of the course in both Semester 1 (Blake) and Semester 2 (Yeats). A rough outline of the content of the three writing assignments, plus the presentation assignment will be given and briefly explained. Students may also be shown a few lecture videos on Yeats from other scholars of modernism to further their understanding of this vital and important Irish poet. |
2 | Lesson 2 – Introduction + Yeats: Poems (pages 3-25) In Lesson 2, we will focus on the first 25 pages of poems from the textbook, W. B. Yeats: Poems selected by Seamus Heaney. In our first major class for this course, we will look at Yeats’ earliest poems, written and published in the late nineteenth century. There will also be some supplementary materials, consisting mostly of articles on Yeats taken from many of the sources listed above. |
3 | Lesson 3 – Yeats: Poems (pages 26-42) In Lesson 3, we will begin by quickly reviewing content from the previous lesson before continuing on with the next section of Yeats: Poems. (Student will generally be asked to read around 15-20 pages of the textbook per week, plus some supplementary materials). In Lesson 3, we will take a look at a selection of poems from Yeats’ next three books of verse, published in the early twentieth century. In this class, we will also discuss one of the important topics that is a constant pillar of focus within Yeats studies: mysticism and the occult, and therefore it is an appropriate time to introduce the figure of Madame Blavatsky and her influence on Yeats. |
4 | Lesson 4 – Yeats: Poems (pages 43-65) In Lessons 4 and 5, we will take a look at poems from Yeats’ next two volumes of verse, The Wild Swans at Coole and Michael Robartes and the Dancer, spending two weeks on The Wild Swans at Coole, an important collection from Yeats. Around Lesson 4 (if not beforehand), Assignment #1 will be uploaded to our Google Classroom page and its basic contents will be explained. Assignment #1 will be about some folk and faerie tales as collected in Yeats’ collection, The Celtic Twilight. |
5 | Lesson 5 – Yeats: The Wild Swans at Coole [extra poems] In Lesson 5, some extra poems not included in the textbook and taken from The Wild Swans at Coole will be introduced and as usual, discussion questions will be assigned. Some additional information on The Celtic Twilight (the subject of Assignment #1) will be provided to help give students more background information on this publication and this period in Yeats’ career. |
6 | Lesson 6 – Yeats: Poems (pages 66-83) Lessons 6 and 7, in some sense, represent the ‘core’ of Yeats’ work, as we will focus on The Tower, regarded by many to be his greatest collection of verse. The topic of ‘prophecies’ (the underlying theme of this whole course) will manifest during this lesson and we will focus heavily upon “Sailing to Byzantium” one of Yeats’ most famous poems. |
7 | Lesson 7 – Yeats: The Tower [extra poems] Due to the somewhat slim selection of poems from The Tower, some additional poems from this important volume will be supplied to students and our discussions from Lesson 6 will continue on during this week’s class. The deadline for Assignment #1 will be approaching around halfway through the course (Lesson 7) so students will be given a reminder about completing it and submitting it on time. Assignment #2, on Yeats’ famous play “At the Hawk’s Well” will also be uploaded and some basic background information on this play, and its relation to Japanese Noh plays, will be explained. |
8 | Lesson 8 – Yeats: Poems (pages 84-100) In Lesson 8, we will discuss another very strong collection of poems by Yeats, of which Heaney has included a generous selection in this volume: The Winding Stair and Other Poems. We will briefly discuss the physical location of Yeats’ tower (and its winding stair) and discuss this crucial time in Yeats’ life and career. |
9 | Lesson 9 – Yeats: Poems (pages 101-119) & A Vision In Lesson 9, we will discuss some poems from the next two volumes by Yeats called A Full Moon in March and New Poems. One of the preoccupations during this lesson will be our focus upon Yeats’ mature style in his final years. Although students will not be required to submit the 4th and final assignment on Yeats’ A Vision until the end of term, some basic background information on this great prose work by Yeats as well as some excerpts will be uploaded and shared with students. |
10 | Lesson 10 – Yeats: Poems (pages 120-132) In Lesson 10, we will discuss the final poems Yeats penned in 1939, the year of his death. In the following two weeks, students will be giving a presentation on one of the figures we have discussed this term. Students are encouraged to choose one of these figures on whom they can prepare a presentation. Topics include Yeats’ fellow countrymen John Synge and James Joyce, contemporary modernist poets such as Ezra Pound and T. S. Eliot and Marianne Moore, or other influences such as Madame Blavatsky and Lady Gregory, among others. If time permits, we will briefly discuss some of these presentation topics, but more importantly, will focus on the evaluation criteria for the presentations that will take place over the next two weeks. |
11 | Lesson 11 – Presentations I In Lessons 11 and 12 students will have a chance to present on ONE of the writers we have discussed over the course of the semester. Students may choose to present on ONE of Yeats’ contemporaries or a fellow Irish writer or poet, whom we have discussed in class such as John Synge, James Joyce, Ezra Pound, T. S. Eliot, Lady Gregory or other figures who influenced Yeats such as Madame Blavatsky or were influenced by him, such as Seamus Heaney and others. Students are asked to prepare a 3-4 minute presentation (PPT presentations are recommended) and students will be asked a couple of questions at the end of the presentation either by the audience or by the teacher. Depending on the size of the class, we will try to cover at least half to two-thirds of the presentations in this lesson, in order to shore up more time for a comprehensive review of the course contents at the end of Lesson 12, as well as in Lesson 13. |
12 | Lesson 12 – Presentations II In Lessons 11 and 12 students will have a chance to present on ONE of the writers we have discussed over the course of the semester. Students may choose to present on ONE of Yeats’ contemporaries or a fellow Irish writer or poet, whom we have discussed in class such as John Synge, James Joyce, Ezra Pound, T. S. Eliot, Lady Gregory or other figures who influenced Yeats such as Madame Blavatsky or were influenced by him, such as Seamus Heaney and others. Students are asked to prepare a 3-4 minute presentation (PPT presentations are recommended) and students will be asked a couple of questions at the end of the presentation either by the audience or by the teacher. |
13 | Lesson 13 – Comprehensive Review This lesson will be devoted to covering the main points and themes throughout the course that we have covered in Yeats: Poems selected by Seamus Heaney and the various Yeats-related materials that students read while completing their assignments, to prepare students for the final test in Lesson 14. If we run out of time, review questions will be provided either by email or through a video recording uploaded and shared by the teacher. |
14 | Lesson 14 – Final Test In Lesson 14, students will take their final Test. All parts of the textbook will be covered in the final test, including some of the materials (poems) used in Assignments 1-4 as well as supplementary materials (articles, essays, recordings). There will be three sections to the final test: 1) in the first section students will answer multiple-choice questions (10 pts.); 2) in the second section students will write short answers (10 pts.); 3) in the third section, students will write one essay on topics relating to Yeats’ writings covered in W. B. Yeats: Poems selected by Seamus Heaney or the general topic of Irish poetry or literature (students will have the option to write an essay that expands upon their presentation topic), or they will have the option of writing an essay on Yeats’ career as a playwright, or as a philosophic visionary. |
板書 /Writing on the Board
スライド(パワーポイント等)の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
In addition to the weekly reading assignments from the textbook, students will also be encouraged to read and explore other supplementary sources of information. Some of the supplementary reading materials will be provided by the teacher (either photocopies handed out in class or sent by email or uploaded onto a Google Classroom webpage, set up expressly for this course) and extra 'recommending reading' sections will be suggested by the teacher to help them enrich their understanding of the poems, the writer, the field of Irish poetry and modernism, and the course overall.
種類 (Kind) | 割合 (%) | 基準 (Criteria) |
---|---|---|
平常点 (In-class Points) | 100 |
Assignment #1 (The Celtic Twilight)(10%) Assignment #2 (At the Hawk's Well)(10%) Assignment #3 (Presentation)(10%) Assignment #4 (A Vision)(10%) In-class discussions & participation(30%) 最終テスト(Final Test)(30%) |
備考 (Notes) | ||
No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
---|---|---|---|---|---|
1 | Yeats, W. B. | W. B. Yeats: Poems selected by Seamus Heaney | Faber and Faber | 2009 | 9780571247349 |
No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
---|---|---|---|---|---|
1 | Yeats, W. B. | Collected Poems | Macmillan Collectors Library | 2016 | 9781909621640 |
2 | Webster, Brenda W. | Yeats: A Psychoanalytic Study | Macmillan | 1974 | 9780333166215 |
3 | Wilson, F. A. C. | W. B. Yeats and Tradition | Macmillan | 1958 | 9780416699203 |
It would be useful for students to bring either a laptop PC or iPAD or similar device to class for taking notes and to help them prepare slides for their presentation later in the term.
NOTE: Students should be aware that often there are delays with book orders and therefore there is the possibility that they may not be able to obtain the textbook, W. B. Yeats: Poems selected by Seamus Heaney, before the first class begins. Therefore, students who are committed to enrolling in this class, are encouraged to purchase a copy of the textbook as soon as possible. If this proves to be difficult, they should try to obtain copies of the relevant pages of the text from the copy available in the Rikkyo University Library. Photocopies or scans of the textbook will NOT be provided to students; students are responsible for obtaining copies of the relevant reading pages before each class. On the other hand, where appropriate, copies of some useful supplementary materials on Yeats and other contemporary poets will be distributed from time to time in class.
This English literature course aims to help students develop their English abilities in the four core skills of listening, reading, speaking, and writing through a combination of various texts, media and in-class activities, as well as some supplementary optional materials (paper and audio-visual), which students are encouraged to engage in, in order to deepen their understanding of this course and its writer, William Butler Yeats (W. B. Yeats), one of the greatest poets of the English language of the twentieth century. Students enrolled in this course will have the opportunity to enhance their abilities to analyze a text of literature through close reading of the original text, the provision of supplementary notes, as well as videos or audio materials as supplements to aid them in their reading and interpretation of the source texts from various perspectives. This approach has been taken with the hope that it will facilitate students’ overall understanding of late-nineteenth and early-twentieth century English and Irish literature.
To provide students with a better contextual background, some supplementary materials and information on W. B. Yeats, as well as some of the poets who lived both during and after his time will also be provided to help students better understand this important and vital period in English literature. In each semester for this “Prophecies” course (consisting of Part 1 and Part 2), three or four writers of a similar ilk will be introduced as a means of comparison against the writings of W. B. Yeats himself (the same form of comparison was conducted with William Blake’s work in the first semester), to help students deepen their understanding of certain aspects of the field which some have called ‘prophetic writings’. Although Blake and Yeats were not contemporaries, Yeats is one of many poets influenced by Blake and someone who took up and carried the torch of ‘Blakean tradition’ many years later. In Prophecies II, along with the writings and life of Yeats himself, we will also talk about some of the other well-known poets and writers of Yeats’ time such as Lady Gregory, John Synge, James Joyce, Ezra Pound, seers or mystics such as Madame Blavatsky, and some who came from a little before Yeats’ time but who exerted an influence such as Walter Pater or who were influenced by Yeats later on, including Seamus Heaney (the compiler of the textbook volume).
In terms of skills related to English ability and proficiency, students will have the opportunity to improve their English listening skills through the interpretations of the texts provided by their teacher in class, and listening to some recordings of Yeats reading from his own poems, many of which are now available online. This will be used not only as a listening-comprehension exercise, but also as a way for students to further deepen their understanding of Yeats’ literary aims, poetic style and philosophy, and to generate further discussion and commentary upon the existing body of criticism.
Group discussions will be held in regular classes on questions directly related to the texts and given to students beforehand to prepare. Students will also have the opportunity to make a presentation in class (towards the end of the course in Lessons 11 and 12) on one of the writers mentioned above (Lady Gregory, John Synge, James Joyce, Ezra Pound, T. S. Eliot, Madame Blavatsky, Walter Pater, Seamus Heaney, etc.), with the following goals in mind: 1) this exercise will help them improve their written proficiency (in preparing the presentation script); and 2) it will help them improve their spoken English proficiency when they give the presentation in class in front of their peers. Three written homework assignments will be assigned on supplementary materials provided in class. The main textbook used in class is called W. B. Yeats: Poems selected by Seamus Heaney, and it features a selection of Yeats’ poems extracted from his long career in which his poetic style changed frequently. Although we will conduct a brief survey of all of Yeats’ major works, the main focus will fall upon three of Yeats’ collections, The Wild Swans at Coole, The Tower, which is frequently cited as containing his greatest work, and The Winding Stairs and Other Poems. In keeping with the underlying theme of ‘prophecies’, we will also read sporadically from Yeats’ most famous prose work, A Vision (although students will not be expected to purchase a copy of this book). Assignment #1 will be about some faerie tales collected by Yeats and published in The Celtic Twilight. Assignment #2 will focus on Yeats’ famous play, At the Hawk’s Well, which was inspired by Japanese Noh plays. Assignment #3 will be held over two weeks towards the end of term, during which students will give a 3-4 minute presentation (on one of the writers mentioned above). Finally, Assignment #4 will be based on excerpts from Yeats’ A Vision, arguably his most ‘prophetic’ text. Supplementary materials will be provided either in class or on a Google Classroom website set up exclusively for students who register for this course, to help students prepare and complete ALL assignments. Some guidelines on how to complete these assignments will also be provided by the teacher, to help students improve their abilities in English written composition and expression.
Successful completion of this course should indicate an understanding of…
1. the historical background and contexts of Irish poetry and literature, with a focus on the works of W. B. Yeats;
2. the style, structure, aims, spiritual and mystical vision and various complexities found within Yeats’ writings (his poetry, prose and plays), with a particular focus on his poetry in class;
3. several ways of analyzing a text, through supplementary readings, slides and recordings provided in or outside of class.
4. a better background knowledge of Yeats’ life, times and ongoing legacy upon English letters as a whole (NOTE: some essays on Yeats by scholars will be provided to investigate Yeats’ writings from various angles)
This course also involves the development of the following skills…
1. the ability to interpret and discuss a text, based on its historical and cultural context and milieu;
2. the ability to inform an original text through the use of secondary sources;
3. the ability to interpret and understand the literary analysis of other critics and writers;
4. the ability to present an argument or summary of one’s opinion on a literary work both in writing (in the essay question on the final test) and orally (in the presentation task for Assignment #3).
This course, predominantly conducted in English, will offer enrolled students the opportunity to read and discuss W. B. Yeats’ poetry, plays and prose. We will be using the book, W. B. Yeats: Poems selected by Seamus Heaney, published by Faber & Faber, as the main textbook for this class because it contains a good, albeit somewhat brief, overview of Yeats’ career as a poet, of which the main focus of this course will primarily be on 3 major works by Yeats: his The Wild Swans at Coole, The Tower (arguably, his greatest work of poetry), and The Winding Stairs and Other Poems. Importantly, where possible, the teacher aims to address the relevance of certain themes in Yeats’ work from the perspectives of nineteenth-century Ireland, the world of the early twentieth century and today’s contemporary world. In keeping with the overall theme of this course (prophecies), we will discuss how Yeats’ philosophies (especially those contained within his prose work A Vision still apply to today’s world.
Most supplementary notes have been drawn from a few very helpful texts but three in particular have been used: The Collected Poems of W. B. Yeats, published by Macmillan & Co., Yeats: A Psychoanalytic Study by Brenda S. Webster and W. B. Yeats and Tradition by F. A. C. Wilson. Some online and video lectures on the life and work of W. B. Yeats will also be shared with students in order to supplement their knowledge of the Irish poet and playwright.
1 | Lesson 1 – W. B. Yeats, his Times, & Irish Literature In our first class for the course, Prophecies II: Yeats, we will begin by discussing the historical and social contexts of 19th century Ireland and early-twentieth century poetry, during which the great poet and playwright, W. B. Yeats, lived. We will also discuss briefly the lives and works of contemporary writers, poets and mystics who were Yeats’ contemporaries and/or who had a deep influence and lasting impact on his work as an artist, such as John Synge, Walter Pater, James Joyce, Ezra Pound, Lady Gregory and Madame Blavatsky. Although each of these figures is different in terms of their writing style and the tropes we encounter in their works, we will discuss in what particular ways Yeats knew each of them and was influenced by them. There will also be some brief discussion of the prophetic writings within the oeuvre of W. B. Yeats (following on from the discussion of the prophetic writings of William Blake in first semester), as this is the underlying theme of the course in both Semester 1 (Blake) and Semester 2 (Yeats). A rough outline of the content of the three writing assignments, plus the presentation assignment will be given and briefly explained. Students may also be shown a few lecture videos on Yeats from other scholars of modernism to further their understanding of this vital and important Irish poet. |
2 | Lesson 2 – Introduction + Yeats: Poems (pages 3-25) In Lesson 2, we will focus on the first 25 pages of poems from the textbook, W. B. Yeats: Poems selected by Seamus Heaney. In our first major class for this course, we will look at Yeats’ earliest poems, written and published in the late nineteenth century. There will also be some supplementary materials, consisting mostly of articles on Yeats taken from many of the sources listed above. |
3 | Lesson 3 – Yeats: Poems (pages 26-42) In Lesson 3, we will begin by quickly reviewing content from the previous lesson before continuing on with the next section of Yeats: Poems. (Student will generally be asked to read around 15-20 pages of the textbook per week, plus some supplementary materials). In Lesson 3, we will take a look at a selection of poems from Yeats’ next three books of verse, published in the early twentieth century. In this class, we will also discuss one of the important topics that is a constant pillar of focus within Yeats studies: mysticism and the occult, and therefore it is an appropriate time to introduce the figure of Madame Blavatsky and her influence on Yeats. |
4 | Lesson 4 – Yeats: Poems (pages 43-65) In Lessons 4 and 5, we will take a look at poems from Yeats’ next two volumes of verse, The Wild Swans at Coole and Michael Robartes and the Dancer, spending two weeks on The Wild Swans at Coole, an important collection from Yeats. Around Lesson 4 (if not beforehand), Assignment #1 will be uploaded to our Google Classroom page and its basic contents will be explained. Assignment #1 will be about some folk and faerie tales as collected in Yeats’ collection, The Celtic Twilight. |
5 | Lesson 5 – Yeats: The Wild Swans at Coole [extra poems] In Lesson 5, some extra poems not included in the textbook and taken from The Wild Swans at Coole will be introduced and as usual, discussion questions will be assigned. Some additional information on The Celtic Twilight (the subject of Assignment #1) will be provided to help give students more background information on this publication and this period in Yeats’ career. |
6 | Lesson 6 – Yeats: Poems (pages 66-83) Lessons 6 and 7, in some sense, represent the ‘core’ of Yeats’ work, as we will focus on The Tower, regarded by many to be his greatest collection of verse. The topic of ‘prophecies’ (the underlying theme of this whole course) will manifest during this lesson and we will focus heavily upon “Sailing to Byzantium” one of Yeats’ most famous poems. |
7 | Lesson 7 – Yeats: The Tower [extra poems] Due to the somewhat slim selection of poems from The Tower, some additional poems from this important volume will be supplied to students and our discussions from Lesson 6 will continue on during this week’s class. The deadline for Assignment #1 will be approaching around halfway through the course (Lesson 7) so students will be given a reminder about completing it and submitting it on time. Assignment #2, on Yeats’ famous play “At the Hawk’s Well” will also be uploaded and some basic background information on this play, and its relation to Japanese Noh plays, will be explained. |
8 | Lesson 8 – Yeats: Poems (pages 84-100) In Lesson 8, we will discuss another very strong collection of poems by Yeats, of which Heaney has included a generous selection in this volume: The Winding Stair and Other Poems. We will briefly discuss the physical location of Yeats’ tower (and its winding stair) and discuss this crucial time in Yeats’ life and career. |
9 | Lesson 9 – Yeats: Poems (pages 101-119) & A Vision In Lesson 9, we will discuss some poems from the next two volumes by Yeats called A Full Moon in March and New Poems. One of the preoccupations during this lesson will be our focus upon Yeats’ mature style in his final years. Although students will not be required to submit the 4th and final assignment on Yeats’ A Vision until the end of term, some basic background information on this great prose work by Yeats as well as some excerpts will be uploaded and shared with students. |
10 | Lesson 10 – Yeats: Poems (pages 120-132) In Lesson 10, we will discuss the final poems Yeats penned in 1939, the year of his death. In the following two weeks, students will be giving a presentation on one of the figures we have discussed this term. Students are encouraged to choose one of these figures on whom they can prepare a presentation. Topics include Yeats’ fellow countrymen John Synge and James Joyce, contemporary modernist poets such as Ezra Pound and T. S. Eliot and Marianne Moore, or other influences such as Madame Blavatsky and Lady Gregory, among others. If time permits, we will briefly discuss some of these presentation topics, but more importantly, will focus on the evaluation criteria for the presentations that will take place over the next two weeks. |
11 | Lesson 11 – Presentations I In Lessons 11 and 12 students will have a chance to present on ONE of the writers we have discussed over the course of the semester. Students may choose to present on ONE of Yeats’ contemporaries or a fellow Irish writer or poet, whom we have discussed in class such as John Synge, James Joyce, Ezra Pound, T. S. Eliot, Lady Gregory or other figures who influenced Yeats such as Madame Blavatsky or were influenced by him, such as Seamus Heaney and others. Students are asked to prepare a 3-4 minute presentation (PPT presentations are recommended) and students will be asked a couple of questions at the end of the presentation either by the audience or by the teacher. Depending on the size of the class, we will try to cover at least half to two-thirds of the presentations in this lesson, in order to shore up more time for a comprehensive review of the course contents at the end of Lesson 12, as well as in Lesson 13. |
12 | Lesson 12 – Presentations II In Lessons 11 and 12 students will have a chance to present on ONE of the writers we have discussed over the course of the semester. Students may choose to present on ONE of Yeats’ contemporaries or a fellow Irish writer or poet, whom we have discussed in class such as John Synge, James Joyce, Ezra Pound, T. S. Eliot, Lady Gregory or other figures who influenced Yeats such as Madame Blavatsky or were influenced by him, such as Seamus Heaney and others. Students are asked to prepare a 3-4 minute presentation (PPT presentations are recommended) and students will be asked a couple of questions at the end of the presentation either by the audience or by the teacher. |
13 | Lesson 13 – Comprehensive Review This lesson will be devoted to covering the main points and themes throughout the course that we have covered in Yeats: Poems selected by Seamus Heaney and the various Yeats-related materials that students read while completing their assignments, to prepare students for the final test in Lesson 14. If we run out of time, review questions will be provided either by email or through a video recording uploaded and shared by the teacher. |
14 | Lesson 14 – Final Test In Lesson 14, students will take their final Test. All parts of the textbook will be covered in the final test, including some of the materials (poems) used in Assignments 1-4 as well as supplementary materials (articles, essays, recordings). There will be three sections to the final test: 1) in the first section students will answer multiple-choice questions (10 pts.); 2) in the second section students will write short answers (10 pts.); 3) in the third section, students will write one essay on topics relating to Yeats’ writings covered in W. B. Yeats: Poems selected by Seamus Heaney or the general topic of Irish poetry or literature (students will have the option to write an essay that expands upon their presentation topic), or they will have the option of writing an essay on Yeats’ career as a playwright, or as a philosophic visionary. |
板書 /Writing on the Board
スライド(パワーポイント等)の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
In addition to the weekly reading assignments from the textbook, students will also be encouraged to read and explore other supplementary sources of information. Some of the supplementary reading materials will be provided by the teacher (either photocopies handed out in class or sent by email or uploaded onto a Google Classroom webpage, set up expressly for this course) and extra 'recommending reading' sections will be suggested by the teacher to help them enrich their understanding of the poems, the writer, the field of Irish poetry and modernism, and the course overall.
種類 (Kind) | 割合 (%) | 基準 (Criteria) |
---|---|---|
平常点 (In-class Points) | 100 |
Assignment #1 (The Celtic Twilight)(10%) Assignment #2 (At the Hawk's Well)(10%) Assignment #3 (Presentation)(10%) Assignment #4 (A Vision)(10%) In-class discussions & participation(30%) 最終テスト(Final Test)(30%) |
備考 (Notes) | ||
No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
---|---|---|---|---|---|
1 | Yeats, W. B. | W. B. Yeats: Poems selected by Seamus Heaney | Faber and Faber | 2009 | 9780571247349 |
No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
---|---|---|---|---|---|
1 | Yeats, W. B. | Collected Poems | Macmillan Collectors Library | 2016 | 9781909621640 |
2 | Webster, Brenda W. | Yeats: A Psychoanalytic Study | Macmillan | 1974 | 9780333166215 |
3 | Wilson, F. A. C. | W. B. Yeats and Tradition | Macmillan | 1958 | 9780416699203 |
It would be useful for students to bring either a laptop PC or iPAD or similar device to class for taking notes and to help them prepare slides for their presentation later in the term.
NOTE: Students should be aware that often there are delays with book orders and therefore there is the possibility that they may not be able to obtain the textbook, W. B. Yeats: Poems selected by Seamus Heaney, before the first class begins. Therefore, students who are committed to enrolling in this class, are encouraged to purchase a copy of the textbook as soon as possible. If this proves to be difficult, they should try to obtain copies of the relevant pages of the text from the copy available in the Rikkyo University Library. Photocopies or scans of the textbook will NOT be provided to students; students are responsible for obtaining copies of the relevant reading pages before each class. On the other hand, where appropriate, copies of some useful supplementary materials on Yeats and other contemporary poets will be distributed from time to time in class.