日本語 English
| 開講年度/ Academic YearAcademic Year |
20262026 |
| 科目設置学部/ CollegeCollege |
全学共通科目・全学共通カリキュラム（総合系）/University-wide Liberal Arts Courses (Comprehensive Courses)University-wide Liberal Arts Courses (Comprehensive Courses) |
| 科目コード等/ Course CodeCourse Code |
FB545/FB545FB545 |
| テーマ・サブタイトル等/ Theme・SubtitleTheme・Subtitle |
Representing East Asia in American Cinema |
| 授業形態/ Class FormatClass Format |
対面（全回対面）/Face to face (all classes are face-to-face)Face to face (all classes are face-to-face) |
| 授業形態（補足事項）/ Class Format (Supplementary Items)Class Format (Supplementary Items) |
|
| 授業形式/ Class StyleCampus |
演習・ゼミ/SeminarSeminar |
| 校地/ CampusCampus |
池袋/IkebukuroIkebukuro |
| 学期/ SemesterSemester |
秋学期/Fall semesterFall semester |
| 曜日時限・教室/ DayPeriod・RoomDayPeriod・Room |
火3/Tue.3 Tue.3 ログインして教室を表示する（Log in to view the classrooms.） |
| 単位/ CreditsCredits |
22 |
| 科目ナンバリング/ Course NumberCourse Number |
CMP2231 |
| 使用言語/ LanguageLanguage |
英語/EnglishEnglish |
| 履修登録方法/ Class Registration MethodClass Registration Method |
抽選他/Exceptional Lottery RegistrationExceptional Lottery Registration（定員：20人/ Capacity：20） |
| 配当年次/ Assigned YearAssigned Year |
配当年次は開講学部のR Guideに掲載している科目表で確認してください。配当年次は開講学部のR Guideに掲載している科目表で確認してください。 |
| 先修規定/ Prerequisite RegulationsPrerequisite Regulations |
|
| 他学部履修可否/ Acceptance of Other CollegesAcceptance of Other Colleges |
|
| 履修中止可否/ Course CancellationCourse Cancellation |
〇（履修中止可/ Eligible for cancellation） |
| オンライン授業60単位制限対象科目/ Online Classes Subject to 60-Credit Upper LimitOnline Classes Subject to 60-Credit Upper Limit |
|
| 学位授与方針との関連/ Relationship with Degree PolicyRelationship with Degree Policy |
各授業科目は、学部・研究科の定める学位授与方針（DP）や教育課程編成の方針（CP）に基づき、カリキュラム上に配置されています。詳細はカリキュラム・マップで確認することができます。 https://www.rikkyo.ac.jp/about/disclosure/educational_policy/qo9edr0000006ur7-att/zengakukyoutu_sougou.pdf |
| 備考/ NotesNotes |
On completion of this course, students will be able to describe key historical patterns in the representation of East Asia in American cinema, and to conduct close analyses of films by examining how narrative, character, and visual techniques shape representations of race, gender, class, and cultural difference.
This course examines cinematic representations of East Asia and East Asians in American popular cinema, with attention to how such representations have been shaped by U.S. historical, social, and cultural contexts. Beginning with the concept of Orientalism as a historical framework, the course explores recurring patterns through which East Asia has been imagined in Hollywood films, including images of threat, exoticism, gendered difference, racial performance, and cultural hierarchy.
| 1 | Course Introduction |
| 2 | The Yellow Peril Discourse: East Asia as Threat in American Cinema |
| 3 | The Oriental Detective: Knowledge, Mystery, and Racialized Expertise |
| 4 | Gendered Representations of East Asia |
| 5 | Yellowface and Racial Performance |
| 6 | War, Enemy Images, and Dehumanization |
| 7 | Cold War Representations and Containment |
| 8 | Model Minority and Social Mobility / Final Project Workshop |
| 9 | East Asia as Tradition/Past |
| 10 | East Asia as Future |
| 11 | Transpacific Crossover: External Influences |
| 12 | New Trends: Diversity and Internal Change in Hollywood |
| 13 | Final Project Development and Individual Consultation |
| 14 | Semester Review and Website Presentation |
板書 /Writing on the Board
スライド（パワーポイント等）の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
Students are expected to spend approximately two hours preparing for each class session by completing the assigned readings, and an additional two hours reviewing each session.
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
Weekly Worksheet Submissions(30%) Class Participation and Reaction Papers(30%) Final Website Project(40%) |
| 備考 (Notes) | ||
| Students are expected to attend every class. Students who miss four or more class sessions will not receive a passing grade. | ||
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Karla Rae Fuller | Hollywood Goes Oriental: CaucAsian Performance in American Film | Wayne State University Press | 2010 | 9780814334676 |
| 2 | Kent A. Ono and Vincent N. Pham | Asian Americans and the Media: Media and Minorities | Polity | 2009 | 9780745642734 |
| 3 | Jane Chi Hyun Park | Yellow Future: Oriental Style in Hollywood Cinema | University of Minnesota Press | 2010 | 9780816649808 |
| 4 | David S. Roh, Betsy Huang, and Greta A. Niu, eds. | Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media | Rutgers University Press | 2015 | 9780813570631 |
| その他 (Others) | |||||
| All required readings will be made available on Canvas. | |||||
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Andrew Dix | Beginning Film Studies: Second Edition | Manchester University Press | 2016 | 9781784991388 |
No prior background in film or cultural studies is required. Students must be willing to complete assigned readings and film viewings and to participate actively in class.
Students are required to bring their own device (laptop or tablet) to class.
・F科目上級（外国語による総合系科目）
・他に特別外国人学生が履修
・この授業は英語で実施する
・履修者はTOEIC®L&R 700点相当以上の英語力を有していることを前提に授業を実施する
・多彩な学び科目
On completion of this course, students will be able to describe key historical patterns in the representation of East Asia in American cinema, and to conduct close analyses of films by examining how narrative, character, and visual techniques shape representations of race, gender, class, and cultural difference.
This course examines cinematic representations of East Asia and East Asians in American popular cinema, with attention to how such representations have been shaped by U.S. historical, social, and cultural contexts. Beginning with the concept of Orientalism as a historical framework, the course explores recurring patterns through which East Asia has been imagined in Hollywood films, including images of threat, exoticism, gendered difference, racial performance, and cultural hierarchy.
| 1 | Course Introduction |
| 2 | The Yellow Peril Discourse: East Asia as Threat in American Cinema |
| 3 | The Oriental Detective: Knowledge, Mystery, and Racialized Expertise |
| 4 | Gendered Representations of East Asia |
| 5 | Yellowface and Racial Performance |
| 6 | War, Enemy Images, and Dehumanization |
| 7 | Cold War Representations and Containment |
| 8 | Model Minority and Social Mobility / Final Project Workshop |
| 9 | East Asia as Tradition/Past |
| 10 | East Asia as Future |
| 11 | Transpacific Crossover: External Influences |
| 12 | New Trends: Diversity and Internal Change in Hollywood |
| 13 | Final Project Development and Individual Consultation |
| 14 | Semester Review and Website Presentation |
板書 /Writing on the Board
スライド（パワーポイント等）の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
Students are expected to spend approximately two hours preparing for each class session by completing the assigned readings, and an additional two hours reviewing each session.
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
Weekly Worksheet Submissions(30%) Class Participation and Reaction Papers(30%) Final Website Project(40%) |
| 備考 (Notes) | ||
| Students are expected to attend every class. Students who miss four or more class sessions will not receive a passing grade. | ||
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Karla Rae Fuller | Hollywood Goes Oriental: CaucAsian Performance in American Film | Wayne State University Press | 2010 | 9780814334676 |
| 2 | Kent A. Ono and Vincent N. Pham | Asian Americans and the Media: Media and Minorities | Polity | 2009 | 9780745642734 |
| 3 | Jane Chi Hyun Park | Yellow Future: Oriental Style in Hollywood Cinema | University of Minnesota Press | 2010 | 9780816649808 |
| 4 | David S. Roh, Betsy Huang, and Greta A. Niu, eds. | Techno-Orientalism: Imagining Asia in Speculative Fiction, History, and Media | Rutgers University Press | 2015 | 9780813570631 |
| その他 (Others) | |||||
| All required readings will be made available on Canvas. | |||||
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Andrew Dix | Beginning Film Studies: Second Edition | Manchester University Press | 2016 | 9781784991388 |
No prior background in film or cultural studies is required. Students must be willing to complete assigned readings and film viewings and to participate actively in class.
Students are required to bring their own device (laptop or tablet) to class.
・F科目上級（外国語による総合系科目）
・他に特別外国人学生が履修
・この授業は英語で実施する
・履修者はTOEIC®L&R 700点相当以上の英語力を有していることを前提に授業を実施する
・多彩な学び科目