日本語 English
| 開講年度/ Academic YearAcademic Year |
20242024 |
| 科目設置学部/ CollegeCollege |
GLAP/GLAPGLAP |
| 科目コード等/ Course CodeCourse Code |
OW173/OW173OW173 |
| テーマ・サブタイトル等/ Theme・SubtitleTheme・Subtitle |
Introduction to East Asian Film |
| 授業形態/ Class FormatClass Format |
対面（全回対面）/Face to face (all classes are face-to-face)Face to face (all classes are face-to-face) |
| 授業形態（補足事項）/ Class Format (Supplementary Items)Class Format (Supplementary Items) |
|
| 授業形式/ Class StyleCampus |
講義/LectureLecture |
| 校地/ CampusCampus |
池袋/IkebukuroIkebukuro |
| 学期/ SemesterSemester |
春学期/Spring SemesterSpring Semester |
| 曜日時限・教室/ DayPeriod・RoomDayPeriod・Room |
水5/Wed.5 Wed.5 ログインして教室を表示する（Log in to view the classrooms.） |
| 単位/ CreditsCredits |
22 |
| 科目ナンバリング/ Course NumberCourse Number |
GLA2101 |
| 使用言語/ LanguageLanguage |
英語/EnglishEnglish |
| 履修登録方法/ Class Registration MethodClass Registration Method |
科目コード登録/Course Code RegistrationCourse Code Registration |
| 配当年次/ Assigned YearAssigned Year |
配当年次は開講学部のR Guideに掲載している科目表で確認してください。配当年次は開講学部のR Guideに掲載している科目表で確認してください。 |
| 先修規定/ Prerequisite RegulationsPrerequisite Regulations |
|
| 他学部履修可否/ Acceptance of Other CollegesAcceptance of Other Colleges |
履修登録システムの『他学部・他研究科履修不許可科目一覧』で確認してください。 |
| 履修中止可否/ Course CancellationCourse Cancellation |
〇（履修中止可/ Eligible for cancellation） |
| オンライン授業60単位制限対象科目/ Online Classes Subject to 60-Credit Upper LimitOnline Classes Subject to 60-Credit Upper Limit |
|
| 学位授与方針との関連/ Relationship with Degree PolicyRelationship with Degree Policy |
各授業科目は、学部・研究科の定める学位授与方針（DP）や教育課程編成の方針（CP）に基づき、カリキュラム上に配置されています。詳細はカリキュラム・マップで確認することができます。 |
| 備考/ NotesNotes |
•Acquire a basic, general knowledge of major developments in East Asian film through the 20th century
•Learn about important movements in East Asian cinema, genres, directors, production practices, set design, politics and film, etc.
•Become familiar with the basic tools and language of film analysis
Introduction to the history and development of film in East Asia with a focus on the rich film traditions that have developed in Japan, Hong Kong, China PRC, Taiwan, and South Korea. Consideration of Western influences on East Asian cinema alongside an examination of traditional East Asian values and aesthetics. Acquisition of tools of visual literacy in conjunction with inquiry into modern East Asian culture through film. Class sessions will include viewing clips of films, student presentations, lectures and discussions. Conducted in English. Please note that viewing of the weekly film must be completed by the student outside of class time.
| 1 | Wk. 1: An Introduction to Film Studies and Age of Silent Film in East Asia Introduction of the Tools of Film Analysis and discussion of Film Viewing Habits Focus Film: "The Goddess" [dir. Wu Yonggang] (Jp. 神女） |
| 2 | Wk. 2: The Age of Silent Film in East Asia Film Element: Style Focus Film: "I Was Born, But..." [dir. Ozu Yasujiro] (Jp. 大人の見る絵本、生まれてみたけれど） |
| 3 | Wk. 3: Postwar Japanese Film and “The Big Three”: Kurosawa Film Element: Characters and Acting Focus Film: "Rashomon" [dir. Kurosawa Akira] (Jp. 羅生門） |
| 4 | Wk. 4: Postwar Japanese Film and “The Big Three”: Mizoguchi Film Element: Lighting and Cinematography Focus Film: "Ugetsu" [dir. Mizoguchi Kenji] (Jp. 雨月物語） |
| 5 | Wk. 5: Postwar Japanese Film and “The Big Three”: Ozu Film Element: Mise-en-scene Focus Film: Banshun (Late Spring) [dir. Ozu Yasujiro] (Jp. 晩秋） |
| 6 | Wk. 6: Korean Film of the Eighties and Chinese Film of the Seventies and Eighties: Film Element: Shots and Cuts Focus Film: [No films, just clips of representative films] |
| 7 | Wk. 7: Japanese Film of New Wave Period Film Element: Sounds and Music Focus Film: [No films, just clips of representative films] Analysis Paper 1 is due |
| 8 | Wk. 8: Taiwanese Film Film Element: Theme and Purpose Focus Film: "Eat Drink Man Woman" [dir. Ang Lee] (Jp. 恋人たちの食卓） |
| 9 | Wk. 9: Hong Kong Film Film Element: Mood Focus Film: "In the Mood for Love" [dir. Wong Kar-wai] (Jp. 花様年華） |
| 10 | Wk. 10: Golden Age: Chinese Fifth Generation: Zhang Yimou Focus Film: ”Raise the Red Lantern” [dir. Zhang Yimou] (Jp. 紅夢） |
| 11 | Wk. 11: Golden Age: Chinese Fifth Generation: Chen Kaige Focus Film: "Farewell My Concubine" [dir. Chen Kaige] (Jp. さらば、わが愛） |
| 12 | Wk. 12: Contemporary East Asian Film Focus Film: "Still Life" (China PRC) [dir. Jia Zhang Ke] (Jp. 長江哀歌） |
| 13 | Wk. 13: Contemporary East Asian Film Focus Film: ”Poetry” (Korea ROK) [dir. Lee Chang-dong] (Jp. ポエトリー アグネスの詩） |
| 14 | Wk. 14: Contemporary East Asian Film Focus Film: ”Still Walking” (Japan) [dir. Koreeda Hirokazu] (Jp. 歩いても歩いても） Analysis Paper 2 is due |
板書 /Writing on the Board
スライド（パワーポイント等）の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
Beside the weekly readings, students will need to view and respond to one film outside of class (either the week's featured film or another approved film). Students will need to have access to either Netflix or Hulu or another online film account or will need to rent from a story or view at a library, etc. The instructor will provide feedback to written work.
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
Attendance and Participation(30%) Weekly Reading Response(30%) Film Analysis Paper 1(15%) Film Analysis Paper 2(15%) In-Class Presentations(10%) |
| 備考 (Notes) | ||
| その他 (Others) | |||||
|---|---|---|---|---|---|
| Readings will be included on the course’s password protected Canvas course page. Readings will be derived from: Piper, Jim. Get the Picture 2nd edition (Norton: 2008) and Vick, Tom. Introduction to East Asian Film: A Field Guide (Smithsonian: 2007). |
•The Canvas course page will be used extensively for distributing readings and for submission of assignments
• Small group and pair work and student presentations will be a regular feature of this course and will complement readings and brief lectures
•Late work will generally not be accepted except if accompanied by a documented explanation. Refer to Rikkyo University policies for further clarification of policies.
•Acquire a basic, general knowledge of major developments in East Asian film through the 20th century
•Learn about important movements in East Asian cinema, genres, directors, production practices, set design, politics and film, etc.
•Become familiar with the basic tools and language of film analysis
Introduction to the history and development of film in East Asia with a focus on the rich film traditions that have developed in Japan, Hong Kong, China PRC, Taiwan, and South Korea. Consideration of Western influences on East Asian cinema alongside an examination of traditional East Asian values and aesthetics. Acquisition of tools of visual literacy in conjunction with inquiry into modern East Asian culture through film. Class sessions will include viewing clips of films, student presentations, lectures and discussions. Conducted in English. Please note that viewing of the weekly film must be completed by the student outside of class time.
| 1 | Wk. 1: An Introduction to Film Studies and Age of Silent Film in East Asia Introduction of the Tools of Film Analysis and discussion of Film Viewing Habits Focus Film: "The Goddess" [dir. Wu Yonggang] (Jp. 神女） |
| 2 | Wk. 2: The Age of Silent Film in East Asia Film Element: Style Focus Film: "I Was Born, But..." [dir. Ozu Yasujiro] (Jp. 大人の見る絵本、生まれてみたけれど） |
| 3 | Wk. 3: Postwar Japanese Film and “The Big Three”: Kurosawa Film Element: Characters and Acting Focus Film: "Rashomon" [dir. Kurosawa Akira] (Jp. 羅生門） |
| 4 | Wk. 4: Postwar Japanese Film and “The Big Three”: Mizoguchi Film Element: Lighting and Cinematography Focus Film: "Ugetsu" [dir. Mizoguchi Kenji] (Jp. 雨月物語） |
| 5 | Wk. 5: Postwar Japanese Film and “The Big Three”: Ozu Film Element: Mise-en-scene Focus Film: Banshun (Late Spring) [dir. Ozu Yasujiro] (Jp. 晩秋） |
| 6 | Wk. 6: Korean Film of the Eighties and Chinese Film of the Seventies and Eighties: Film Element: Shots and Cuts Focus Film: [No films, just clips of representative films] |
| 7 | Wk. 7: Japanese Film of New Wave Period Film Element: Sounds and Music Focus Film: [No films, just clips of representative films] Analysis Paper 1 is due |
| 8 | Wk. 8: Taiwanese Film Film Element: Theme and Purpose Focus Film: "Eat Drink Man Woman" [dir. Ang Lee] (Jp. 恋人たちの食卓） |
| 9 | Wk. 9: Hong Kong Film Film Element: Mood Focus Film: "In the Mood for Love" [dir. Wong Kar-wai] (Jp. 花様年華） |
| 10 | Wk. 10: Golden Age: Chinese Fifth Generation: Zhang Yimou Focus Film: ”Raise the Red Lantern” [dir. Zhang Yimou] (Jp. 紅夢） |
| 11 | Wk. 11: Golden Age: Chinese Fifth Generation: Chen Kaige Focus Film: "Farewell My Concubine" [dir. Chen Kaige] (Jp. さらば、わが愛） |
| 12 | Wk. 12: Contemporary East Asian Film Focus Film: "Still Life" (China PRC) [dir. Jia Zhang Ke] (Jp. 長江哀歌） |
| 13 | Wk. 13: Contemporary East Asian Film Focus Film: ”Poetry” (Korea ROK) [dir. Lee Chang-dong] (Jp. ポエトリー アグネスの詩） |
| 14 | Wk. 14: Contemporary East Asian Film Focus Film: ”Still Walking” (Japan) [dir. Koreeda Hirokazu] (Jp. 歩いても歩いても） Analysis Paper 2 is due |
板書 /Writing on the Board
スライド（パワーポイント等）の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
Beside the weekly readings, students will need to view and respond to one film outside of class (either the week's featured film or another approved film). Students will need to have access to either Netflix or Hulu or another online film account or will need to rent from a story or view at a library, etc. The instructor will provide feedback to written work.
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
Attendance and Participation(30%) Weekly Reading Response(30%) Film Analysis Paper 1(15%) Film Analysis Paper 2(15%) In-Class Presentations(10%) |
| 備考 (Notes) | ||
| その他 (Others) | |||||
|---|---|---|---|---|---|
| Readings will be included on the course’s password protected Canvas course page. Readings will be derived from: Piper, Jim. Get the Picture 2nd edition (Norton: 2008) and Vick, Tom. Introduction to East Asian Film: A Field Guide (Smithsonian: 2007). |
•The Canvas course page will be used extensively for distributing readings and for submission of assignments
• Small group and pair work and student presentations will be a regular feature of this course and will complement readings and brief lectures
•Late work will generally not be accepted except if accompanied by a documented explanation. Refer to Rikkyo University policies for further clarification of policies.