日本語

Course Code etc
Academic Year 2023
College Graduate School of Arts
Course Code JB172
Theme・Subtitle アメリカ文学と植物表象
Class Format Face to face (all classes are face-to-face)
Class Format (Supplementary Items)
Campus
Campus Ikebukuro
Semester Fall semester
DayPeriod・Room Thu.4・6301
Credit 2
Course Number EAL6313
Language Others
Class Registration Method Course Code Registration
Grade (Year) Required 配当年次は開講学部のR Guideに掲載している科目表で確認してください。
prerequisite regulations
Acceptance of Other Colleges
course cancellation
Online Classes Subject to 60-Credit Upper Limit
Relationship with Degree Policy
Notes 後期課程用科目コード:PB336
Text Code JB172

【Course Objectives】

By reading American literary works, along with experiencing the aesthetic feeling they provide, we will explore the historical and cultural aspects of race, gender, and sexuality and cultivate self-expression skills in both Japanese and English.

【Course Contents】

 Since the 2010s, critical plant studies has become increasingly popular, as is evident in the titles of such academic studies as Plants as Persons (2011), Plants and Literature (2013), The Philosopher’s Plant (2014), Plant Theory (2016), and Thoreau’s Vegetal Thought (2021). Critical animal studies, which precedes critical plant studies, redefines the boundaries between humans and animals by pointing out the arrogance of human beings who regard themselves as special and superior to non-human creatures. Ironically, though, critical attention to the othering of animals results in the emphasis on the clear boundaries between animals and plants, or between humans and plants. Despite the fact that humans and plants are inseparably intertwined in every aspect of our life, plants are incorrectly understood as inferior beings without intelligence or subjectivity. Critical plant studies begins with a skeptical reconsideration of zoocentrism, an ideology that differentiates animals from plants, thereby justifying the marginalization of the Other. This course, then, focuses on Ursula Le Guin’s ecofeminist sci-fi novella, as well as Richard Powers’s contemporary novel that is structured around the life cycle of a tree, attempting to construct the critical framework that draws on ecocriticism and encompasses politics and aesthetics.
 Please not that the English presentation by the designated presenter will be followed by a Q&A session in English during the first half and in Japanese during the second half of the class. Therefore, it is expected that students will proactively speak up in class.

※Please refer to Japanese Page for details including evaluations, textbooks and others.