日本語 English
| 開講年度/ Academic YearAcademic Year |
20242024 |
| 科目設置学部/ CollegeCollege |
文学部/College of ArtsCollege of Arts |
| 科目コード等/ Course CodeCourse Code |
AM211/AM211AM211 |
| テーマ・サブタイトル等/ Theme・SubtitleTheme・Subtitle |
Harold Pinter and Postwar British Theatre |
| 授業形態/ Class FormatClass Format |
対面（全回対面）/Face to face (all classes are face-to-face)Face to face (all classes are face-to-face) |
| 授業形態（補足事項）/ Class Format (Supplementary Items)Class Format (Supplementary Items) |
|
| 授業形式/ Class StyleCampus |
演習・ゼミ/SeminarSeminar |
| 校地/ CampusCampus |
池袋/IkebukuroIkebukuro |
| 学期/ SemesterSemester |
春学期/Spring SemesterSpring Semester |
| 曜日時限・教室/ DayPeriod・RoomDayPeriod・Room |
水3･5503/Wed.3･5503 Wed.3･5503 |
| 単位/ CreditCredit |
22 |
| 科目ナンバリング/ Course NumberCourse Number |
EAL3811 |
| 使用言語/ LanguageLanguage |
英語/EnglishEnglish |
| 履修登録方法/ Class Registration MethodClass Registration Method |
その他登録/"Other" Registration"Other" Registration |
| 配当年次/ Grade (Year) RequiredGrade (Year) Required |
配当年次は開講学部のR Guideに掲載している科目表で確認してください。配当年次は開講学部のR Guideに掲載している科目表で確認してください。 |
| 先修規定/ prerequisite regulationsprerequisite regulations |
|
| 他学部履修可否/ Acceptance of Other CollegesAcceptance of Other Colleges |
履修登録システムの『他学部・他研究科履修不許可科目一覧』で確認してください。 |
| 履修中止可否/ course cancellationcourse cancellation |
×（履修中止不可/ Not eligible for cancellation） |
| オンライン授業60単位制限対象科目/ Online Classes Subject to 60-Credit Upper LimitOnline Classes Subject to 60-Credit Upper Limit |
|
| 学位授与方針との関連/ Relationship with Degree PolicyRelationship with Degree Policy |
各授業科目は、学部・研究科の定める学位授与方針（DP）や教育課程編成の方針（CP）に基づき、カリキュラム上に配置されています。詳細はカリキュラム・マップで確認することができます。 |
| 備考/ NotesNotes |
|
| テキスト用コード/ Text CodeText Code |
AM211 |
The objective of this course is to provide a comprehensive introduction to twentieth century British theatre, and in particular consider the literary, historical, and cultural background to one of the twentieth century's most influential playwrights - Harold Pinter (1930-2008). We will consider Pinter’s early masterpiece The Birthday Party (1957) and his later work Betrayal (1978) in detail to enable familiarity with Pinter’s archetypal characters and theatrical style. Further course objectives include improvement in discussion skills, and the acquisition of a wider analytical vocabulary.
This course will outline a general account of UK postwar drama and the London theatre scene before focusing on Harold Pinter's plays The Birthday Party and Betrayal. Close textual reading and in-class video study of these major achievements in modern drama will enable students to become familiar with the experimental style, specific characters, and language of one of the greatest postwar playwrights in English.
※Please refer to Japanese Page for details including evaluations, textbooks and others.
The objective of this course is to provide a comprehensive introduction to twentieth century British theatre, and in particular consider the literary, historical, and cultural background to one of the twentieth century's most influential playwrights - Harold Pinter (1930-2008). We will consider Pinter’s early masterpiece The Birthday Party (1957) and his later work Betrayal (1978) in detail to enable familiarity with Pinter’s archetypal characters and theatrical style. Further course objectives include improvement in discussion skills, and the acquisition of a wider analytical vocabulary.
This course will outline a general account of UK postwar drama and the London theatre scene before focusing on Harold Pinter's plays The Birthday Party and Betrayal. Close textual reading and in-class video study of these major achievements in modern drama will enable students to become familiar with the experimental style, specific characters, and language of one of the greatest postwar playwrights in English.
| 1 | Introduction to Harold Pinter and the London Theatre Scene in the 1950s and 1960s |
| 2 | Introduction to The Birthday Party and UK theatrical history |
| 3 | The Birthday Party |
| 4 | The Birthday Party |
| 5 | The Birthday Party |
| 6 | The Birthday Party |
| 7 | Introduction to Betrayal and UK theatrical history |
| 8 | Betrayal |
| 9 | Betrayal |
| 10 | Betrayal |
| 11 | Betrayal |
| 12 | Betrayal |
| 13 | Betrayal |
| 14 | Course conclusion and revision of all major areas relevant to Pinter examined throughout |
板書 /Writing on the Board
スライド（パワーポイント等）の使用 /Slides (PowerPoint, etc.)
上記以外の視聴覚教材の使用 /Audiovisual Materials Other than Those Listed Above
個人発表 /Individual Presentations
グループ発表 /Group Presentations
ディスカッション・ディベート /Discussion/Debate
実技・実習・実験 /Practicum/Experiments/Practical Training
学内の教室外施設の利用 /Use of On-Campus Facilities Outside the Classroom
校外実習・フィールドワーク /Field Work
上記いずれも用いない予定 /None of the above
Students are expected to prepare for analysis of weekly sections of The Birthday Party and Betrayal by reading and researching the plays privately in advance of classes, and, if possible, watch the plays online in the various available performances.
| 種類 (Kind) | 割合 (%) | 基準 (Criteria) |
|---|---|---|
| 平常点 (In-class Points) | 100 |
Attendance and Class Participation(35%) Reaction Papers(30%) Final End of Semester Report(35%) |
| 備考 (Notes) | ||
| No | 著者名 (Author/Editor) | 書籍名 (Title) | 出版社 (Publisher) | 出版年 (Date) | ISBN/ISSN |
|---|---|---|---|---|---|
| 1 | Harold Pinter | The Birthday Party | Faber and Faber | 1991 | 0571160786 |
| 2 | Harold Pinter | Betrayal | Faber and Faber | 2018 | 9780571338788 |
Regular attendance is essential and active participation is required in class.